On May 2, 2025, the National Endowment for the Arts sent termination and withdrawal notices to hundreds of arts organizations nationwide, effective May 31, 2025. The emails stated the NEA was “updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the President.” Organizations affected included theater companies, literary magazines, dance groups, museums, and festivals of all types, with grants ranging from $10,000 to $100,000. The widespread cancellations raised concerns about censorship and the chilling of artistic expression across diverse communities.

On May 2, 2025, the Trump administration released its FY2026 “skinny budget” proposal, calling for the complete elimination of the National Endowment for the Arts, National Endowment for the Humanities, and Institute of Museum and Library Services. The proposal also indicated a 15% cut to the Department of Education, with plans to consolidate multiple K-12 grant programs. Arts advocates warn that eliminating federal arts funding would devastate cultural organizations and reduce access to arts education nationwide.

On May 1, 2025, President Trump signed an executive order directing the Corporation for Public Broadcasting to cease all direct and indirect federal funding to NPR and PBS, citing alleged political bias. The order affects approximately 1,500 local public radio and television stations nationwide that rely on CPB funding for educational and cultural programming, particularly in rural and underserved communities. CPB, PBS, and NPR have stated the order is unlawful, arguing that CPB is a congressionally created independent entity not subject to presidential authority, and filed suits on first amendment and other grounds. The Corporation for Public Broadcasting distributes approximately $535 million annually in federal funds to public media.

On April 2, 2025, U.S. Citizenship and Immigration Services (USCIS) updated its Policy Manual to recognize only two “biological sexes”—male and female—based on birth certificates issued at or near time of birth, pursuant to Executive Order 14168 “Defending Women From Gender Ideology Extremism and Restoring Biological Truth to the Federal Government” signed January 20, 2025. The policy eliminates the “X” gender marker option and requires all immigration benefit applications to indicate sex as male or female based on birth records. The policy directly impacts transgender and nonbinary artists, including US citizens and those applying for O-1, P-1, P-3, and other work visas. Canadian musician Bells Larsen, whose album explores trans experience, canceled his June 2025 U.S. tour after receiving guidance from the American Federation of Musicians that applicants with gender markers changed from birth certificates would face visa difficulties. The policy applies to all pending and new applications filed on or after April 2, 2025.

On March 27, 2025, President Trump issued Executive Order 14253 titled “Restoring Truth and Sanity to American History,” directing the Smithsonian Institution to remove exhibits and programming deemed to contain “improper ideology” or content that “inappropriately disparages Americans.” The order specifically cited “The Shape of Power: Stories of Race and American Sculpture” at the Smithsonian American Art Museum as an example of divisive content, claiming it portrayed American and Western values as “inherently harmful and oppressive.” The order directed the Vice President and Office of Management and Budget to work with Congress to ensure future Smithsonian appropriations prohibit expenditure on exhibits or programs that “degrade shared American values, divide Americans based on race, or promote programs or ideologies inconsistent with Federal law and policy.” Historians, museum professionals, and members of Congress condemned the directive as political censorship of federally supported cultural institutions and an infringement on the Smithsonian’s independence to carry out its educational mission.

In 2025, Rep. Andrew Clyde (R-GA) introduced legislation threatening to withhold at least $185 million in federal transportation funds from Washington, D.C. unless the city removed the “Black Lives Matter” mural and renamed the plaza “Liberty Plaza.” Mayor Muriel Bowser announced on March 4 that the city would paint over the mural, and removal began March 10, with the mayor stating the city could not “afford to be distracted by meaningless congressional interference.” Critics characterized the funding threat as federal coercion to suppress local artistic and political expression.

On February 14, 2025, the National Park Service removed all references to “transgender” and “queer” from the Stonewall National Monument website, changing “LGBTQ+” to “LGB” and erasing mentions of transgender activists Marsha P. Johnson and Sylvia Rivera who were central to the 1969 uprising. The Park Service stated the changes were made to comply with Trump executive orders on “restoring biological truth to the federal government.” The Stonewall Inn and LGBTQ+ advocacy groups condemned the action as a “blatant act of erasure” that distorts the history of the first U.S. national monument dedicated to LGBTQ+ rights and dishonors transgender contributions to the movement. Weeks later, the NPS also removed entire web pages dedicated to transgender activists from the site.

On February 7, President Trump announced he would dismiss 18 members of the Kennedy Center’s board of trustees and appoint himself as chairman, marking the first time a president has mass-fired board members or assumed leadership of the prestigious performing arts institution. Trump stated the center had featured “drag shows specifically targeting our youth” and vowed “NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA,” installing Richard Grenell as interim executive director to reshape programming. Following the takeover, the Kennedy Center canceled LGBTQ+ programming including WorldPride concerts and performances by the Gay Men’s Chorus, and dismantled the Social Impact team focused on serving underserved communities. This move imposes an unprecedented degree of government oversight onto the curatorial decisions of the Kennedy Center, and has already resulted in the discriminatory cancellation of artist groups out of favor with the Presidential administration.

On February 7, 2025 President Trump fired Colleen Shogan as head of the National Archives and Records Administration, marking the first time a sitting president has removed the National Archivist since the position was established in the 1930s. The firing represented an unprecedented assertion of presidential authority over an independent federal agency responsible for preserving and presenting American historical records and cultural heritage. While Trump cited the Archives’ role in the classified documents investigation, the removal occurred amid ongoing controversy over Shogan’s October 2024 directive to staff to remove or minimize exhibits on slavery, civil rights leaders, Japanese-American internment, and Indigenous displacement. Historians and civil rights organizations condemned the firing as political interference in a nonpartisan cultural institution responsible for safeguarding the nation’s historical record.

In response to Executive Order 14151 (January 20, 2025), which mandated termination of all federal DEI programs and equity-related grants, the NEA cancelled its Challenge America grant program on February 6, 2025. Challenge America had supported small arts organizations serving underserved communities. The NEA revised its 2026 grant guidelines to prohibit DEI programs and “gender ideology,” prioritize America250 projects, and require a five-year organizational history. Organizations with pending applications were required to resubmit under the new criteria. Critics condemned the changes as censorship that imposed ideological conditions on arts funding. The ACLU and several other organizations filed suit against the NEA over its cancellation of funding arguing that The lawsuit argues that the grant-guidance restrictions—particularly the requirement that applicants avoid “promoting gender ideology”—unconstitutionally violate the First Amendment and exceed the agency’s lawful authority.

Executive Order 14188, signed January 29, 2025, directed federal agencies to identify authorities to combat anti-Semitism and included provisions for universities to monitor and report non-citizen student activities that could lead to removal proceedings. The order’s text does not explicitly restrict artistic freedom or direct deportations. However, federal authorities have used the order as a pretext to restrict the legitimate and peaceful expression of students participating in campus protests. Authorities revoked over 1,500 international student visas across at least 32 states and detained multiple students involved in pro-Palestinian demonstrations. Civil liberties organizations have challenged these actions as unconstitutional violations of free speech and assembly rights.

President Trump signed an executive order requiring federal contractors and grantees, cultural institutions, to certify that they do not operate DEI programs that violate federal anti-discrimination laws. The order revoked longstanding affirmative action requirements for federal contractors and directed agencies to combat DEI initiatives in the private sector. Critics warned the order’s vague language would create a chilling effect on diversity programming and cultural perspectives in federally funded institutions. The executive order has been challenged in court on the grounds that its restrictions on DEI-related programs and requirements for “merit-based” practices unlawfully suppress protected expression and discriminate against organizations engaging in equity-focused work.